Traffic: Unterschied zwischen den Versionen

Desson Howe schrieb in seinem Filmreview in der Washington Post: ''“Soderbergh and screenwriter Stephen Gaghan, who based this on a British television miniseries of the same name, have created an often exhilarating, soup-to-nuts exposé of the world's most lucrative trade” [4]. In seiner Filmkritik für die [[New York Times]] schrieb Stephen Holden: If Traffic illustrates how the underfunded, red-tape-bound good guys are no match against the enemy's superior resources, what makes the film more than a powerful thriller is its unflinching con-templation of human frailty [5]''. Philip French schrieb in seiner Filmkritik für den Guardian: ''"Great acting, greater set-pieces and a grippingly told story. Steven Soderbergh's Traffic is a masterpiece from first to last. But the superstructure of documentary detail and nuanced per-formances give the film a vibrant feeling for life at different social levels in different places [6]."''