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-Giorgio Agamben (born 1942) is an Italian philosopher who teaches at the Università IUAV di Venezia. He also teaches at the Collège International de Philosophie in Paris and previously taught at the University of Macerata in Italy. He also has held visiting appointments at several American universities and at Heinrich Heine University, Düsseldorf. Agamben's best known work includes his investigations of the concepts of state of exception and homo sacer.[1]
+Giorgio Agamben (* 22. April 1942 in Rom) ist ein italienischer Philosoph. Er lehrt als Professor für Philosophie an der European Graduate School in Saas-Fee und seit 2003 als Professor für Ästhetik an der Facoltà di Design e Arti della IUAV in Venedig. Agamben, der seit 1988 zeitweilig auch an der Universität von Macerata und seit 1993 in Verona lehrte, war von 1986 bis 1992 Directeur de Programme am Collège International de Philosophie in Paris; seit 1994 nimmer er regelmäßig Gastprofessuren in den USA wahr. Im Wintersemester 2005/2006 lehrte er als Gastprofessor an der Heinrich-Heine-Universität Düsseldorf. 2007 hatte er die Albertus-Magnus-Professur an der Universität zu Köln inne. Seine bekanntesten Werke sind seine Arbeiten über den Ausnahmezustand und "homo sacer".
-Agamben received the Prix Européen de l'Essai Charles Veillon in 2006.Agamben was educated at the University of Rome, where he wrote a thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars (on Heraclitus and Hegel) in 1966 and 1968. In the 1970s he worked primarily on linguistics, philology, poetics, and medievalist topics, where he began to elaborate his primary concerns, though without as yet inflecting them in a specifically political direction. In 1974–1975 he was a fellow at the Warburg Institute, where he wrote Stanzas (1979).
+Die englische Wikipedia schreibt über ihn Folgendes (das für die Zwecke der Krimedia übersetzt, gekürzt und um kriminologisch Relevantes ergänzt werden sollte):
+Agamben was educated at the University of Rome, where he wrote a thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars (on Heraclitus and Hegel) in 1966 and 1968. In the 1970s he worked primarily on linguistics, philology, poetics, and medievalist topics, where he began to elaborate his primary concerns, though without as yet inflecting them in a specifically political direction. In 1974–1975 he was a fellow at the Warburg Institute, where he wrote Stanzas (1979).
 Close to Elsa Morante, on whom he has written, Pier Paolo Pasolini (in whose The Gospel According to St. Matthew he played the part of Philip), Italo Calvino, Ingeborg Bachmann, Pierre Klossowski, Jean-Luc Nancy, Jacques Derrida, and Jean-François Lyotard, his strongest influences include Walter Benjamin, whose complete works he edited in Italian translation, and the German jurist Carl Schmitt, whom he frequently cites. Agamben's political thought draws on Michel Foucault and on Italian neo-Marxist thought. While sometimes cryptic in his published writings, in interviews he represents himself as a public thinker interested in language and social conflicts on a global scale.