Aurale Kriminologie

Gegenstand der von Keith Hayward (2012: 458-459) vorgeschlagenen aural criminology sollten u.a. sein:

“the everyday noise pollution associated with neighbour noise and other forms of anti-social behaviour; the use of infrasound crowdcontrol devices, acoustic torture and other military noise weapons (Goodman 2010); illegal pirate radio broadcasts and other sub rosa transmission cultures; the politics of rhythm associated with political protest and social resistance (Labelle 2010: 107–25); the role of music in military recruitment, as a tool for intensifying the battle experience (Pieslak 2009) and even as a means of garnering support for terrorism (Cottee 2011: 742–5).”

• Lieder über Straftäter und -taten (Moritat von Mackie Messer; Bänkelsang)
• Lieder als Straftaten (Verherrlichung von Straftätern/Straftaten: narcocorridos)

Literatur

• Hayward, Keith J. (2012) Five Spaces of Cultural Criminology. Br J Criminol 52 (3): 441-462.
• Roy, William G., and Dowd, Timothy J. (2010) What Is Sociological about Music? Annual Review of Sociology Vol. 36: 183-203 (Volume publication date August 2010)