Aurale Kriminologie: Unterschied zwischen den Versionen

Version vom 3. November 2015, 09:19 Uhr

Gegenstand der von Keith Hayward (2012: 458-459) vorgeschlagenen aural criminology sollten u.a. sein:

the everyday noise pollution associated with neighbour noise and other forms of anti-social behaviour
the use of infrasound crowdcontrol devices, acoustic torture and other military noise weapons (Goodman 2010)
illegal pirate radio broadcasts and other sub rosa transmission cultures
the politics of rhythm associated with political protest and social resistance (Labelle 2010: 107–25)
the role of music in military recruitment, as a tool for intensifying the battle experience (Pieslak 2009) and even as a means of garnering support for terrorism (Cottee 2011: 742–5).”

Lieder über Straftäter und -taten (Moritat von Mackie Messer; Bänkelsang)
Lieder als Straftaten (Verherrlichung von Straftätern/Straftaten: narcocorridos)
Musik als Mittel der Strafverfolgung (Beschallung mit Musik, um eines Gesuchten habhaft zu werden - der Fall Noriega - bzw. um Personen zu Aussagen zu bewegen - der Fall von Musik als Folterinstrument); soweit dabei die Grenzen des Rechts überschritten werden (Machtmissbrauch): Musikeinsatz als Straftat (repressive crime).

@@ Zeile 1: / Zeile 1: @@
 Gegenstand der von Keith Hayward (2012: 458-459) vorgeschlagenen '''aural criminology''' sollten u.a. sein:
-“the everyday noise pollution associated with neighbour noise and other forms of anti-social behaviour; the use of infrasound crowdcontrol devices, acoustic torture and other military noise weapons (Goodman 2010); illegal pirate radio broadcasts and other sub rosa transmission cultures; the politics of rhythm associated with political protest and social resistance (Labelle 2010: 107–25); the role of music in military recruitment, as a tool for intensifying the battle experience (Pieslak 2009) and even as a means of garnering support for terrorism (Cottee 2011: 742–5).”
+*the everyday noise pollution associated with neighbour noise and other forms of anti-social behaviour
+*the use of infrasound crowdcontrol devices, acoustic torture and other military noise weapons (Goodman 2010)
+*illegal pirate radio broadcasts and other sub rosa transmission cultures
+*the politics of rhythm associated with political protest and social resistance (Labelle 2010: 107–25)
+*the role of music in military recruitment, as a tool for intensifying the battle experience (Pieslak 2009) and even as a means of garnering support for terrorism (Cottee 2011: 742–5).”